Editorial

Garrett is a reluctant entrepreneur, failed novelist, esteemed strategist, and Clio Award-winning producer. As Sr. Director at Rhapsody, he led content strategy for the pioneering music service and video channel. At Third Bridge, he designs solutions for clients like Amazon, Apple, Spotify, and YouTube. He is also a screenwriter and journalist with work in outlets like Billboard, Gawker, and SPIN.

As the former editor-in-chief of Pitchfork, Mark has a knack for making sense of music trends. After more than a decade tracking and shaping culture elsewhere—he’s also WSJ’s rock and pop critic—he joined Third Bridge to help launch curation at SoundCloud. His role has since grown, much like his record collection—when he’s off the clock, you can often find him adding to his Discogs Wantlist.

Before he arrived at Third Bridge, Chris ran newsrooms, made magazines, profiled pop stars, and—more than once—blogged from the belly of a rave cruise. He has bylines everywhere from Wax Poetics to Playboy to Modern Farmer, but it was as an editor for FILTER and SPIN that he honed the knack for content strategy, client relations, and team management that would form the backbone of his work here.

Susan brings a long history of TV and movie fandom to Third Bridge, including a stint at Netflix dating back to the DVD days. She enjoys a blend of editorial work and project management, which keeps both sides of her brain happy. A semi-amateur musician, she spends occasional weekends playing ’90s-esque rock at dive bars and formerly served on the board of Portland’s Rock ’n’ Roll Camp for Girls.

Kristin loves writing about R&B almost as much as she loves listening to it. Before joining Third Bridge, she was a Senior Staff Writer at Noisey, where she profiled rising hip-hop and R&B artists and later interrogated pop culture and race for VICE's Culture Desk. Kristin is a meticulous writer and editor who uses her work to advocate for marginalized artists.

Colin is a writer and editor who’s put in his 10,000 hours at gigs in dingy basements and on crowded dance floors. He was the Managing Editor at VICE’s electronic music vertical THUMP and then later he was a Senior Editor at Noisey, where he trained an eye on the untold stories and underrepresented artists in the music industry. His work has also appeared on Pitchfork, The FADER, SPIN, and beyond.

Rachel enjoys all forms of new music discovery—whether her recommendations come from an editorial playlist, a close friend, or that person on the subway who's cranked up their headphone volume just a little too loud. With a master's degree in publishing and journalism, she's well equipped to write sharp criticism and assist with producing engaging copy on TBC's various content verticals.

Peter is the kind of jackknife who's managed news teams, overseen magazine columns, and written compelling stories about albums, movies, and the people who make them. He's worked as an editor at XXL and as a freelance writer for Netflix, Billboard, Pitchfork, Okayplayer, and elsewhere. Equal parts music nerd, sports geek, and film fanatic, Peter loves pop culture—consuming it, contributing to it, and conversing about it.