Curation

Sam has built and led curation and editorial teams for streaming services since the early 2000s. At Rhapsody and, later, Google Play, he wrote the playbook on content surrounding digital music. With Third Bridge, he continues his innovative work on programs with Sonos, SoundCloud, Apple, and various record labels, brands, and startups. He understands the needs of users—and the nuances of ’90s rap.

As the former editor-in-chief of Pitchfork, Mark has a knack for making sense of music trends. After more than a decade tracking and shaping culture elsewhere—he’s also WSJ’s rock and pop critic—he joined Third Bridge to help launch curation at SoundCloud. His role has since grown, much like his record collection—when he’s off the clock, you can often find him adding to his Discogs Wantlist.

Andrew’s commitment to seamless, discovery-forward programming is rooted in his dual citizenship as both music fan and maker. As Pandora’s Head of Dance & Electronic, he helped grow listenership exponentially across hundreds of stations and playlists, niche and mainstream alike, plus led their gaming content. And as a drummer and DJ, he’s shared bills with everyone from Paramore to Hot Chip.

Sydney is a strong problem solver and researcher with many skill sets across the production realm. Prior to joining Third Bridge she worked in the podcasting world at Diversion Audio and FilmNation Entertainment. In her spare time she enjoys working on her zines and scouring bins at the local record shop for obscure punk compilations.

Hannah thrives on the constant need to solve problems and anticipate teammates’ needs. Prior to joining Third Bridge, she was associate editor at The Creative Independent, and provided ad hoc support to Parsons School of Design and Red Bull Music Academy. If she’s not puzzling through a TBC project, she’s likely studying Korean, making bad nightcore remixes, or being tailed by her cat, Scritti.